In Culture House, the production company behind ‘Hair Stories’

By | October 25, 2022

Audiences have embraced all of Oprah Winfrey’s signature looks, from the fluffed pixie to the long under-the-bob, and now her signature roll. But you may not know about Winfrey’s lifelong hair journey that led her to her current look, or what made Issa Ra appreciate and love her natural hair after going completely bald. Now both stories are being told in Hulu’s upcoming docuseries, “Hair Tales,” which premieres October 22 on Hulu, as well as OWN.

When Onyx Collective president Tara Duncan and producer Michaela Angela Davis asked Black, Brown and female-owned production company Culture House to take on the project, founding partners Rashem Nijon, Nicole Galovsky and Carrie Twigg said they recognized the “maturity” of this story. Here the opportunity jumped.

Nijon and Twigg have signed on to serve as executive producers on the series, along with Winfrey and Tracee Ellis Ross, which will host all six episodes. From Chloe Bailey, Rep. With interviews from Ayanna Pressley, Marsai Martin and Chika, Ross will lead viewers through discussions on weaves, braids, kinks, coils, hairspray, locs and ultimately self-discovery.

Twigg credits Ross’ involvement as the spark that brought this whole theme to life. Difference“It gave us our thesis that you can follow a black woman’s journey of self-acceptance through their hair.

“While we each have our own unique story, through ‘Hair Tales’, we know that there is something universal and common that we can truly tell in this series that doesn’t get the love or light it deserves. ” says Twigg. “Just like all the ways our hair or this entry didn’t really get the black female experience on screen in this country and the world.”

Stories like “Fairy Tales” are basically on the street of the House of Culture. With a team comprised primarily of diverse women, the company aims to “create compelling/inclusive/radical/futuristic/beautiful film and TV” with their company mission. Its catalog of productions also includes Brie Larson’s “Growing Up,” which is currently available on Disney+. The documentary series produced by Galowski tells the story of a teenager or “hero” through an in-depth personal interview in each episode.

According to Nijhon, Culture House was created to fill a void that he felt was Hollywood’s blind spot.

“It was a response to wanting to make stories that I felt we were missing in the world, but the process and the process and creating a space in the community for filmmakers and creators of color and women,” Nijon added, adding, “It’s not just about the things we’re creating.” It’s also how we’ve been doing.

Culture House has a hands-on consulting process that Nijo and her co-founders developed; It also aims to address diversity issues on screen and behind the scenes.

“We want to be very intentional about our process. Who are we hiring? Who are we helping to create jobs for? Who are we helping to train? How are our shows and our work in the world as powerful stories, but also as powerful tools to empower the people we want to be in the process? Nijon added.

Galowski admits that progress is slow but not out of reach Movement. The same decision-makers who faced obstacles when they started their efforts still continue in most of Hollywood’s positions of power. But she believes there is hope on the horizon.

“A lot of statistics are starting to change — not in the way they want or to the degree they want,” Galowski says. Now we’re seeing more people in the rooms we install and work with, more representative of our country and more representative of the cultural experiences we want them to have.

Twigg added: “There’s obviously a growing movement, but that’s what we’re talking about — Hollywood has had to diversify itself for 50 years.” Although it has changed a bit and started to gain a higher position, online projects, it is still very slow.

Category: tv

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